Ink Storefront
3 variationsFine single-colour pen-and-ink engraving of a shopfront on cream paper, with hand-lettered signage, a hatched awning, and a café tableau out front.
Every style here is a locked recipe for linework, palette, texture, and composition. Pick one, describe your subject, and Zero returns an illustration that matches the rest of the set. Open any plate to see every reference piece it has produced, 162 across the 31 styles.
Fine single-colour pen-and-ink engraving of a shopfront on cream paper, with hand-lettered signage, a hatched awning, and a café tableau out front.
Bande-dessinée landscape where one tiny figure is dwarfed by a hatched panorama, flat colour blocks under the ink, three to five colours per piece.
Sketchy black contour crowds with three flat spot colours on pure white, a lighter fine-line backdrop, and ambient marks in the negative space.
Watercolour and brush ink on cool-white paper: one anthropomorphic animal mid-ritual in a patterned interior, with a single hot accent object.
Loose wobbling ink over flat muted fills on warm cream, burgundy anchoring every scene, framed by a stone arch, balcony, or sunlit courtyard.
Bright flat-vector shapes offset in front of their own black silhouettes, with white dashed stitching, sparkle confetti, and a transparent background.
Two-pass block print: the accent colour is laid down first as free-floating shapes, then chunky black linocut ink and speckle grain go on top.
Open teal contour lines over offset colour blobs on cream paper, misregistered like letterpress, with one looping ribbon line threading the scene.
Airy thin-line spot illustration on pale blue with deliberately unclosed outlines and flat fills. Built for onboarding art and empty states.
Flat-vector figure with one hero prop, drawn silhouette-first without outlines, riso grain confined to a single textile, generous negative space.
Chunky opaque gouache on textured paper, a locked six-colour palette, and one-point perspective walking the eye into a bright sunlit focal point.
Flat folk gouache portrait: elongated oval face, half-lidded eyes, a hand pressed to the cheek, a patterned robe, and botanicals filling the frame.
A saturated single-colour ground, glossy black hair, big shiny eyes, and five-point star blush. A playful character portrait for avatars and cards.
Fine marker ink over flat gouache with dense repeated patterning, paper grain, and scattered white speckles in a tall travel-journal composition.
Tessellated mosaic surfaces under crisp painterly objects, always with a still-life centrepiece, an animal companion, and one patterned textile.
Translucent watercolour and gouache portrait with closed eyes, botanicals embracing the figure, visible pigment bleeds, and a tinted paper wash.
Magazine op-ed cover: elongated ink characters in a flat-vector scene with paper grain and a serif headline block in the lower-right corner.
Riso-grained animals or objects scattered across a saturated ground like a picture-book endpaper, with two-tone bodies and crescent-eye smiles.
Hand-screened indie packaging poster: full-bleed saturated colour, a two-line hand-lettered headline, and one weird-cute brush-ink character.
Flat-vector chill character in a scene-as-metaphor on one saturated ground, thin uniform outlines, and a pop of bright leaf green in every piece.
Scratchy ink and textured gouache on warm cream: a dense edge-to-edge studio scene where thematic props orbit the character and act out the idea.
Vintage-textbook marketing card: a serif headline on flat saturated colour above an ink mascot object with stick limbs and chunky white sneakers.
Retro riso poster of one nostalgic everyday object, with halftone grain, hand-drawn doodle sparkles, and a chunky headline with an offset shadow.
Naive book-illustration scene: flat saturated blocks with loose ink drawn on top, paper grain, tall narrow architecture, and hatched sky and light.
Vertical flat-colour poster: one hand-drawn subject in navy outlines with a strict two-tone fill, rounded sans headline top-left, wordmark bottom-right.
Grainy charcoal-stippled hands on warm cream, paired with outline-free two-tone colour blocks full of pattern and scattered ambient marks.
Around twenty small hand-painted gouache objects floating on white, each slightly tilted, with wobbly ink linework and tiny decorative marks.
Hand-painted gouache on aged paper: anthropomorphic animals with crescent-eye smiles, a dusty folk palette, and patterned wallpaper and rugs.
One flat accent dab painted first, then loose black brush-pen ink drawn over it, with scribbled hatched hair and a small floating accent triangle.
Locked flat-vector isometric scene with hairline outlines on a saturated monochrome ground, where the props themselves carry the theme.
Notion-editorial brush-pen spot illustration: black ink on white, solid-black hair, open breathing outlines, and a few supporting scene props.
One prompt in, a finished illustration out. There is no canvas to open, no stock library to search, and no style to reinvent each time.
Each plate is a locked recipe: linework, palette, texture, and composition. Open one to see every reference piece the style has produced.
Say what the illustration is for and what belongs in frame. Palette, cast, and complexity are dials on every style, from a single object to a packed scene.
Zero compiles your brief into the style's full prompt, runs it through an image model, and returns the finished file at the size and format you asked for.
Ask for the next piece in the same style and it comes back matching. A whole empty-state set, blog run, or sticker sheet looks like one hand drew it.
The styles above cover the pictures people actually have to ship, from an empty-state spot to a full sticker sheet.
Empty states, onboarding art, billing cards, and error screens: thin-line flat styles with transparent backgrounds that drop onto any surface.
Op-ed covers, crowd scenes, duotone spots, and block prints for essays, changelogs, and newsletters that need a picture instead of a stock photo.
Flat-colour benefit cards, riso relics, mascot posters, and hand-lettered packaging art for campaigns, launch pages, and event walls.
Gouache sticker sheets and endpaper collections that fill one canvas with twenty themed objects, for merch, docs, and community art.
Folk-art picture-book scenes, watercolour animal interiors, and flat character portraits for children's stories, mascots, and avatars.
Postcards, sunlit gouache streets, isometric scenes, and ink panoramas for city guides, itineraries, and anything that has to feel like somewhere.
You pick one of the 31 styles and describe your subject. Each style is a registered recipe rather than a one-line prompt, so Zero compiles your brief into the style's full instructions, runs it through an image model, and returns the finished illustration. Nothing to install, and no prompt engineering to learn.
Yes, and that is the point of a locked style. The linework, palette, texture, and composition rules stay fixed between runs, so the fifth empty-state illustration still matches the first. Ask for the next piece in the same style and it comes back as part of the set.
Zero's built-in pipeline runs GPT Image 1, 1.5, 2, and mini, Flux Pro 1.1 and 1.1 Ultra, Qwen Image, Seedream 4, and Nano Banana 2, and defaults to GPT Image 1. Ask for a different model when a piece needs it and the style recipe stays the same.
Square 1024x1024, portrait 1024x1536, and landscape 1536x1024 are the common sizes, and GPT Image 2 goes up to 3840px on the long edge. Files come back as PNG, WebP, or JPEG. Several models also support a transparent background, which is what in-app illustrations need.
Yes. Give Zero a reference image and it works from that subject, and Nano Banana 2 accepts up to fourteen at once for a multi-image edit. Palette is a dial on every style, so you can hand over your brand colours and keep the rest of the recipe intact.
The 31 plates here are the styles in the register, not the limit. Describe the look you have in mind and Zero generates it without a style. When a team needs that look repeatedly, it can be added to the register so every future piece matches it too.
A stock library hands you someone else's drawing and hopes it fits. Zero draws your subject, in your palette, at the complexity you asked for, and can produce the twelve matching pieces around it. The styles here set the visual direction, not the content.
Zero also generates presentations, reports, videos, and websites from the same kind of prompt. See pricing for what each plan includes.
Start from any style above, or describe the picture you actually need and let Zero draw it.